Porta dei santi piccoli e grandi, dei protettori e dei bisognosi del manto misericordioso della madre - Chiesa della Beata Vergine Maria del Cammino
Information
Chiesa della Madonna Odigìtria, vulgo della Beata Vergine Maria del Cammino - Mas-Peron 32036 Sedico BLGateway for saints great and small, for protectors and those in need of the merciful mantle of the mother - Church of the Blessed Virgin Mary of the Way
The Church of Santa Maria del Cammino in Mas-Peron (Belluno) is an extraordinary example of balance between architectural innovation and religious symbolism. The monumental portal sculpted by Franco Fiabane narrates in stone the spiritual protection of the community, with sober, poetic figures that converse with the church’s ogival forms, fusing architecture and sculpture into an intense humanistic language.
The Church of Santa Maria del Cammino in Mas-Peron (Belluno) is an extraordinary example of balance between architectural innovation and religious symbolism. Designed by the De Biasio Progetti studio, the glued laminated timber structure ideally evokes the Virgin's veil, creating an intimate and luminous atmosphere thanks to its slits of light and stained-glass windows. The monumental portal sculpted by Franco Fiabane recounts in stone the community's spiritual protection, with restrained, poetic figures that engage with the church's ogival (pointed-arch) forms, merging architecture and sculpture into an intense humanistic language.
Location
Chiesa della Madonna Odigìtria, vulgo della Beata Vergine Maria del Cammino - Mas-Peron 32036 Sedico BLItineraries
Gateway for saints great and small, for protectors and those in need of the merciful mantle of the mother - Church of the Blessed Virgin Mary of the Way
The Church of Santa Maria del Cammino in Mas-Peron (Belluno) is an extraordinary example of balance between architectural innovation and religious symbolism. The monumental portal sculpted by Franco Fiabane narrates in stone the spiritual protection of the community, with sober, poetic figures that converse with the church’s ogival forms, fusing architecture and sculpture into an intense humanistic language.
